The King James Bible was the result of an extraordinary effort over nearly a century to make many good English translations and turn them into what the translators called 'one principal good one, not justly to be excepted against'. David Norton traces the work of Tyndale and his successors, analysing the translation and revisions of two representative passages. His fascinating new account follows in detail the creation of the KJB, including attention to the translators' manuscript work. He also examines previously unknown evidence such as the diary of John Bois, the only man who made notes on the translation. At the centre of the book is a thorough discussion of the first edition. The latter part of the book traces the printing and textual history of the KJB and provides a concise account of its changing scholarly and literary reputations.

Early eighteenth-century literary critics thought the King James Bible had 'all the disadvantages of an old prose translation'. But from the 1760s on criticism became increasingly favourable. In the nineteenth century it welled into a chorus of praise for 'the noblest monument of English prose'. This volume, the second of a two-volume work, traces how that reversal of opinion came about and helped to shape the making and reception of modern translations such as the Revised Version and the New English Bible. At the same time the story of the development of modern literary discussion of the Bible in general is told. From the Augustan discovery of Longinus' comments on Genesis through such major figures as Robert Louth to modern critics such as Frank Kermode and Robert Alter, this story reveals a fascinating world of original insights and repetitions of received opinions. It shows not only how criticism has shaped understanding of the Bible, but how the Bible has shaped literary criticism.

It is regarded as a truism that the King James Bible is one of the finest pieces of English prose. Yet few people are aware that the King James Bible was generally scorned or ignored as English writing for a century and a half after its publication. The reputation of this Bible is the central, most fascinating, element in a larger history, that of literary ideas of the Bible as they have come into and developed in English culture; and the first volume of David Norton's magisterial two-volume work surveys and analyses a comprehensive range of these ideas from biblical times to the end of the seventeenth century, providing a unique view of the Bible and translation.

A History of the English Bible as Literature (revised and condensed from the author's acclaimed History of the Bible as Literature CUP, 1993) explores five hundred years of religious and literary ideas. At its heart is the story of how the King James Bible went from being mocked as English writing to being "unsurpassed in the entire range of literature." It studies the Bible translators, writers such as Milton and Bunyan who contributed so much to our sense of the Bible, and a fascinating range of critics and commentators.

A History of the English Bible as Literature (revised and condensed from the author's acclaimed History of the Bible as Literature CUP, 1993) explores five hundred years of religious and literary ideas. At its heart is the story of how the King James Bible went from being mocked as English writing to being "unsurpassed in the entire range of literature." It studies the Bible translators, writers such as Milton and Bunyan who contributed so much to our sense of the Bible, and a fascinating range of critics and commentators.

Early eighteenth century literary critics thought the King James Bible had "all the disadvantages of an old prose translation." But from the 1760s on criticism became increasingly favorable. In the nineteenth century it swelled into a chorus of praise for "the noblest monument of English prose." This volume traces how that reversal of opinion came about. The story of the development of modern literary discussion of the Bible in general is told also, showing not only how criticism has shaped understanding of the Bible but how the Bible has shaped literary criticism.

David Norton has recently re-edited the King James Bible for Cambridge University and this book arises from his intensive work on that project. He reveals here how the text of the most important Bible in the English language was made, and how it was changed by printers and editors until it became the text we know today in 1769. Using material as diverse as the manuscripts of the original translators, and the results of extensive computer collation of electronically held texts, Norton has produced a scholarly edition of the King James Bible that will restore the authority of the 1611 translation. This book includes the bible's fascinating background, Norton's editorial principles and substantial lists and tables of variant readings. It will be indispensable to scholars of the English Bible, literature, and publishing history. A website with additional resources (www.cambridge.org/kjv) will be available one month prior to publication.

The King James Bible was the result of an extraordinary effort over nearly a century to make many good English translations and turn them into what the translators called 'one principal good one, not justly to be excepted against'. David Norton traces the work of Tyndale and his successors, analysing the translation and revisions of two representative passages. His fascinating new account follows in detail the creation of the KJB, including attention to the translators' manuscript work. He also examines previously unknown evidence such as the diary of John Bois, the only man who made notes on the translation. At the centre of the book is a thorough discussion of the first edition. The latter part of the book traces the printing and textual history of the KJB and provides a concise account of its changing scholarly and literary reputations.

Four future Navy officers, two women and two men, fall under the spell of charismatic leader James Drayton at Officer Candidate School in Newport, Rhode Island. They form a secret society called the Great Lovers, named after a poem by Rupert Brooke. When Drayton dies in a suspicious explosion on an aircraft carrier, the Great Lovers become the chief suspects. The surviving members of the secret society must defend their friend and their own freedom in a court-martial for mutiny.

Clamcake Summer is the story of one man's attempt to eat every clamcake in Rhode Island in one summer (or die frying). It is a funny, informative and voracious story of marathon eating and the seashore foods we crave, and of the joys and traditions of summer in New England. This is the first book entirely dedicated to the clamcake. A blend of memoir and history, Clamcake Summer is the perfect beach read for anyone who grew up eating these delectable fritters, or for those who dream of ordering their first dozen at a take out window.

A major new edition of the King James Bibleafaithfully presented for the twenty-first century
Although it is the most important book in the religious life and culture of the English-speaking world, the King James Bible, or Authorized Version of 1611, has never been perfectly represented in print. This edition makes available the translatorsa intended work with a fidelity never before achievedaallowing the most read, heard, and loved book in the English language to speak with new vigor to modern readers.

The work we have long read as the King James Bible contains numerous changes, both deliberate and accidental, to the text. David Norton has scrupulously collated the established text with the translatorsa original manuscripts to create this new authoritative edition. In addition, he has modernized and standardized the spelling but left intact the words and grammatical forms, and he has restored most of the original punctuation, which, unlike the standard version, largely adheres to modern practices. Finally, he presents the text in paragraph format, making this King James Bible a fully comprehensible and gratifying read.

Throughout the colonial period, Oneida speakers promoted themselves as representatives not only for their own people but for all members of the Iroquois Six Nations Confederacy. With the arrival of Europeans, this self-appointed diplomatic role became increasingly complex. Because Oneida villages lay at the juncture of trade routes and water highways, Oneida leaders regularly dealt with traders and missionaries as well as refugee Indian peoples. When European imperial rivalries flared into war in the second half of the eighteenth century, Oneida diplomats faced the dual challenges of preserving the Confederacy and securing trade and territory agreements with the colonial power that appeared to offer Native Americans the best deal. Oneida diplomacy failed on both fronts. While the Six Nations splintered, the British openly violated treaties. Consequently, when Britain's colonies rebelled, Oneida leaders generally advocated joining the revolutionaries. When the fighting ended, however, those among the Oneida who had supported the patriots fared no better than other Native Americans. The government of the newly created United States conveniently forgot the Oneida contribution to the War for Independence. In Rebellious Younger Brother, Norton focuses on the men who provided leadership for the Oneida during the turbulent decades between 1750 and 1800. In addition to charting the Oneida's changing position within the Six Nations, he documents the ways in which authority to conduct diplomatic affairs passed between sachems and warriors and ultimately spread to a broad range of individuals. Readers interested in early American history and Native American Studies will appreciate this study.

Providing the first full, comprehensive list of officially classified threatened New Zealand plants - 186 threatened and 6 extinct native vascular plants - this ready reference contains the distinguishing features of each plant, the specific threat it faces, and its current distribution, enabling the user to identify threatened vascular plants by providing clear, technical botanical descriptions, notes, and full-color visuals. This handy guide was designed not only as an essential tool in the fight against extinction but also as a stunning showcase of the spectacular flora of New Zealand.